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萨尔曼·拉什迪

羞耻

《羞耻》 0 评论

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要了解一个社会，就要细瞧它那些难以传达的话。

——萨尔曼·拉什迪《羞耻》

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上一句：礼貌可能是陷阱，毕奎斯挣扎在丈夫谦恭有礼的罗网里。

下一句：要证实真相是多么困难，尤其是当我们必须用碎片看世界的时候；快照所隐藏的，跟他们所暴露的一样多。

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1、The air there is full of unasked questions. But their smell is faint, and the flowers in the many maturing gardens, the trees lining the avenues, the perfumes worn by the beautiful soignee ladies of the neighbourhood quite overpower this other, too-abstract odour.You can get anywhere in Pakistan if you know people, even into jail.Shame is like everything else; live with it for long enough and it becomes part of the furniture.Shame: a short word, but one containing encyclopaedias of nuance. It was not only shame that his mothers forbade him to feel, but also embarrassment, discomfiture, decency, modesty, shyness, the sense of having an ordained place in the world, and other dialects of emotion for which English has no counterparts. 2、我们知道引力，但不知道其源头；而为了解释为什么我们依恋出生地，我们便假装自己是树并且谈根。看看你脚下吧。你找不到脚趾抽出多节瘤的树木。有时候我想，跟是一种保守的神话，旨在把我们留在原地。 3、Informed sources opine, closer observers claim, many of our viewers in the West would say, how would you refute the argument, have you a point of view about the allegation that your institution of such Islamic punishments as flogging and cutting-off hands might be seen in certain quarters as being, arguably, according to certain definitions, so to speak, barbaric? 4、他的身体被抛离，像一个昏头昏脑的醉鬼，之后她体内那头野兽再次退去，她站在那里傻乎乎地眨眼，双脚不稳，仿佛她不晓得所有的故事必须一齐结束，不晓得那火正在聚集力量，不晓得在那个惩罚之日，法官也不能豁免受审判，不晓得那头羞耻的野兽之力量，不可能永远被约束在任何血肉之躯的框架内，因为它长大、进食、膨胀，直到血脉爆裂。接着是爆炸声，冲击波摧毁大宅，她燃烧的火球尾随冲击波，像大海一样滚向天边；最后是那团云，它升起，扩散，悬挂在现场的虚无之上，直到我再也看不到再也不在那里的东西；那团寂静的云，状如一个灰白、无头的巨人，一个梦的形影，一个鬼魅，抬起一只手臂，作出告别的姿态。 5、Roots, I sometimes think, are a conservative myth, designed to keep us in our places.When individuals come unstuck from their native land, they are called migrants. When nations do the same thing (Bangladesh), the act is called secession. What is the best thing about migrant people and seceded nations? I think it is their hopefulness. Look into the eyes of such fold in old photographs. Hope blazes undimmed through the fading sepia tints. And what39;s the worst thing? It is the emptiness of one39;s luggage. I39;m speaking of invisible suitcases, not the physical, perhaps cardboard, variety containing a few meaning-drained mementoes: we have come unstuck from more than land. We have floated upwards from history, from memory, from Time.I may be such a person. Pakistan may be such a country.Term ... 6、我不知道如何描述毕奎斯才好。她是一个被蜕变剥掉衣服的女人，却把自已包裹在确定中；她是一个变成皇后的女孩，却失去每个乞丐都拥有的能力，也即生儿子的能力，她是一位夫人，而她的父亲是一个“女人”，炮的儿子结果也是女儿，她的男人中的男人，她的“拉朱”或“拉七杂八”本人，最后也得穿上那件黑色的、侮辱性的女人裹尸衣，也许她是在命运的秘密享握中一因为，难道那条勒死地儿子的脐带不是在另一条更恐怖的绞索里找到其回声或者李生兄弟吗？…但是我发现我终究还是要回到我的起点，因为对我来说她是并且永远都是那个害怕火风的毕奎斯。

萨尔曼·拉什迪

原作者：萨尔曼·拉什迪

萨尔曼·拉什迪简介：

萨尔曼·拉什迪（Salman Rushdie），1947年生于印度孟买一个中产阶级家庭。祖父是一位乌尔都语诗人，父亲则是剑桥大学商业系的毕业生。14岁时，他被送到英国的格拉比学校读书。1964年他的父亲搬到巴基斯坦的卡拉奇居住，那时候正值印巴战争。拉什迪继续在剑桥大学三一学院求学，攻读历史。复杂的宗教、文化和社会背景，注定了他对“历史”、“政治”、“流亡”... (更多)

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