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艾米莉·狄金森经典语录/名句
简介 艾米莉·狄金森经典语录/名句 作品
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我喜欢痛苦的表情我喜欢痛苦的表情，因为我知道它真实——人们不会假作惊厥，也不伴装，剧痛——眼神一旦凝滞，就是死亡——无法伪装额头上由平凡的痛苦串起的汗珠。
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That I did always love I bring thee Proof That till I loved I never lived-Enough- That I shall love alway- I argue thee That love is life- And life hath Immortality- This-dost thou doubt-Sweet Then have I Nothing to show But Calvary-
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If you were coming in the Fall I39;d brush the Summer by With half a smile, and half a spurn, As Housewives do, a Fly If I could see you in a year I39;d wind the months in balls- And put them each in separate Drawers, For fear the numbers fuse- If only Centuries, delayed, I39;d count them on my Hand,Subtracting, till my fingers droppedInto Van Dieman39;s Land. If certain. when this life was out- That yours and mine, should be I39;d toss it yonder, like a Rind, And take Eternity- But, now, uncertain of the length Of this, that is between,It goads me, like the Goblin Bee-That will not state - its sting.
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There came a day at summer’s full Entirely for me; I thought that such were for the saints, Where revelations be. The sun, as common, went abroad, The flowers, accustomed, blew, As if no sail the solstice passed That maketh all things new. The time was scarce profaned by speech; The symbol of a word Was needless, as at sacrament The wardrobe of our Lord. Each was to each the sealed church, Permitted to commune this time, Lest we too awkward show At supper of the Lamb. The hours slid fast, as hours will, Clutched tight by greedy hands; So faces on two decks look back, Bound to opposing lands. And so, when all the time had failed, Without external sound, Each bound the other’s crucifix, We gave ...
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I dwell in Possibility-我栖居于可能性-A fairer House than prose-一座比散文更美的房子-More numerous of Windows-窗户-更多更亮-Superior- for Doors-房门-都很雄壮-Of Chambers as the Cedars-雪松般的厅堂-Impregnble of eye-双眼看不到天花板-And for an everlasting Roof它那永恒的屋顶The Gambrels of the Sky苍穹般的三角墙Of visitors- the fairest-来客们-都是完美的人-For Ocucupation- This-这就是-我的职业-The spreading wide my narrow Hands伸展我狭小的双手To gather Paradise-采集天堂乐园
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我为美而死，却还不能适应坟墓一个为真理而死的人正躺在我的隔壁——他轻声地问，“你为何而死？”“为了美。”我回答——“我，为真理，它们本是一体——我们，是同胞。”他说——就这样，像亲人，重逢在夜里——我们隔墙而谈——直到青苔爬上我们的嘴唇——覆盖我们的姓名——
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After great pain, a formal feeling comes – (372)After great pain, a formal feeling comes –The Nerves sit ceremonious, like Tombs –The stiff Heart questions ‘was it He, that bore,’And ‘Yesterday, or Centuries before’?The Feet, mechanical, go round –A Wooden wayOf Ground, or Air, or Ought –Regardless grown,A Quartz contentment, like a stone –This is the Hour of Lead –Remembered, if outlived,As Freezing persons, recollect the Snow –First – Chill – then Stupor – then the letting go –
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Dreams-are well-but Waking39;s better,If One wake at Morn-If One wake at Midnight-better-Dreaming-of the Dawn-Sweeter-the Surmising Robins-Never gladdened Tree-Than a Solid Dawn-confronting-Leading to no Day-
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m Nobody! Who are you?Are you - Nobody - Too?Then there39;s a pair of us?Don39;t tell! they39;d advertise - you know!How dreary - to be - Somebody!How public - like a Frog -To tell one39;s name - the livelong June -To an admiring Bog!
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晨光比从前更温柔——褐色的毛栗快要成熟——浆果的脸蛋更加丰润——玫瑰在室外盛开。枫树抖动明艳的纱巾——田野披上红袍——我生怕自己显得过时只好别上一枚饰针。
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艾米莉·狄金森 经典语录

艾米莉·狄金森

艾米莉·狄金森作品： 《孤独是迷人的》 《栖居于可能性》 《狄金森诗全集》 《艾米莉·狄金森诗歌与书信选集》
艾米莉·狄金森简介：

艾米莉·狄金森（Emily Dickinson, 1830-1886），美国传奇女诗人，自25岁弃绝社交，终身未婚。在孤独而繁琐的生活中写诗 30年，留下诗稿1700余首，生前却鲜有诗作发表。狄金森诗歌思 想深邃，极富独创性。她被视为20世纪现代主义诗歌的先驱之一，与惠特曼一起并称为美国最伟大的两位诗人。 (更多)

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